The Art of Chair Weaving in Badolato
Sitting with his back slightly curved, Uncle Peppe sits in front of the bare frame of a chair. It seems as though he wants to protect the secret of his craft. Indeed, it is right there that the magic happens.
From a sack at his feet, he pulls out strands of vuda. Like a fisherman drawing life from the sea, he selects these local fibers. Therefore, you can still feel they are long, flexible, and fragrant with the scent of earth.

The Dance of the Hands
In fact, his hands do not merely work. They seem to dance in a sequence of movements learned by heart. This creates a silent dialogue between calloused fingers and plant fiber.
Consequently, each strand is stretched, crossed, and overlapped. This mastery finally transforms the chaos of the skein into the rigor of order.

Technical Precision and Geometries of Straw
Yet, the true artist emerges especially in the technical details. Between one weave and the next, Uncle Peppe grasps his wooden wedge. Because of his small, precise, and firm taps, he settles the geometries.
As a result, he tightens the knots and aligns the rows. This process also ensures the texture is as dense as fabric and as solid as time itself.
In that gesture, the wedge becomes an extension of his thoughts. Ultimately, this simple tool transforms a series of threads into a perfect geometry, ready to bear the weight of new stories.

A Different Kind of Texture: The Ritual of Rest
When the rhythm of the wedge stops, the chair finally catches its breath. However, Uncle Peppe does not cease creating. This pause is not an absence of work, but rather a change of texture.

The Ritual of Tobacco
Meanwhile, his fingers move over brown fragments of tobacco. He works with the same millimetric precision used to tame the vuda.
Indeed, it is an intimate ritual. First, he smoothes the rolling paper and doses the blend. Then, with a movement that is pure memory, he weaves his beloved cigarette.